the farewell

The line between cultural appropriation and appreciation is fuzzy, but Awkwafina’s unprecedented success as an Asian-American woman should be celebrated.

They have found the key to making my morning commute even more unpleasant

Let’s not have a repeat of Green Book.

The only possible justification for categorizing Inglourious Basterds as “American” and The Farewell as “Foreign Language” is racism.

Lulu Wang’s The Farewell encapsulates the absurdity, frustration, warmth, and depth of family dynamics.