Apparently, Zayn Malik is the latest artist to fall prey to his label's efforts to control and possibly sabotage his career.
It all began when Brazilian producer Rafael Allmark spoke to fans privately about a collaboration with Zayn that was going to be released. The fans excitedly posted about the new song, which was supposed to be released today, February 12th. It began charting in some countries—but it turned out that Zayn had not known about or approved the song's release.
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"The track was completed in 2018 but Malik's label would not let Allmark release it at the time due to Zayn's second album releasing soon," said the Twitter account @zayndata1 in an exclusive statement to Popdust. "Allmark claims he did not know that the vocals were Zayn's when they were first sent to him and only knew when he was instructed my RCA Records not to release the song… Allmark clarified that he was not comfortable releasing without Zayn's consent and it was extremely unprofessional that his label did not try to stop the release or ask consent from Zayn."
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The song was pulled from the airwaves after Zayn's tweet, leaving fans stunned and suspicious.
After this incident, many fans are starting to question Zayn's label and his contract, which was orchestrated by Simon Cowell. They cited the fact that Zayn's last album, Icarus Falls, received inadequate promotion from the label, RCA. Some believe Zayn was the subject of a smear and suppression campaign by the label, which released physical copies of Icarus Falls two weeks late in many cases and even failed to release physical copies in dozens of countries around the world.
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"The label is holding me back but I promise I am doing everything I can to get my music to you," Zayn tweeted in 2018 before the release of Icarus Falls.
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Fans have reason to be suspicious of RCA, which is an imprint of Sony. Many artists have spoken out about abuse they received from labels under the Sony umbrella. When she was in an abusive relationship with manager Tony Mottola, the co-owner of Universal Group (an imprint of Sony), Mariah Carey had difficulty escaping due to the amount of control he exercised over her career. Similarly, Kesha's lawsuit against Dr. Luke, a producer who worked for RCA—Zayn's new label—claimed that the "Tik Tok" singer experienced prolonged sexual and psychological abuse, but Kesha has still been forced to pay Dr. Luke thousands of dollars in royalties. And the story of labels taking control of their artists is as old as the music industry itself.
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Of course, maybe fans should channel their energy into supporting Zayn's music. The people have the power, and together, we can all give Zayn's music the attention it deserves.
After witnessing the success of K-Pop groups such as BTS, Simon Cowell has decided to start a show intended to launch a "new wave" of music entitled "UK-Pop."
Naturally, this has incensed K-pop fans, who accused Cowell of "taking the title from the biggest group on the planet" and attempting to "make it white."
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Cowell's comments came in the wake of the news that he's launching a new show entitled X Factor: The Band, which will attempt to create the next major musical super-group. The show's announcement also angered Lil Mix fans, as the group has a show that is based on the same premise, entitled The Search.
Regarding X Factor: The Band, Cowell said, "K-pop is ruling the world. This is a show to find a band to launch UK-pop," he said. "It's more than winning a record contract, it's starting a new music wave."
Maybe Simon Cowell needs to take a step back. "UK-pop" is not a brilliant innovation of Simon Cowell. The UK has been churning out pop artists since the inception of the modern music industry, and you can see its success in everything from The Beatles to One Direction. On the other hand, between the Macarena in 1996 and Psy's "Gangnam Style" in 2012, not a single non-English-language track hit Billboard's Top 10.
Non-English speaking artists have always been creating popular music, though, and in recent years they're finally pushing out English-speaking groups from the upper echelons of the mainstream. This week, BTS's Love Yourself: Answer broke records after becoming the first K-pop album to stay in the Billboard Top 200 for a year, and it's not like Billboard is the arbiter of all the world's music tastes. According to one study of YouTube's charts, for example, the top four biggest acts in the world are non-English speaking acts.
In light of this, Simon Cowell's comments display a marked ignorance and an apparently elevated view of the importance of the English language, hegemonic whiteness, and his own power. K-pop and Lil Mix fans know that what really matters in the end, is the relationship between the artists and their fans, and they know that K-pop is on top, no matter how many washed-up white music industry executives try to capitalize on it.
There are few people as successful as she is who deserve success as much as she does. Her talent and charm are perhaps only matched by the bravery she demonstrated in coming out as a gay woman at a time when that seemed likely to tank her career—and did, in fact, derailed it considerably. Her popularity as a public figure is both a testament to how far our culture has progressed in a relatively short time and undoubtedly a contributing factor in that progress.
Is it any wonder then that, when Ellen came under attack for just being pleasant to a fellow human being, people practically fell over each other to defend and support her? Since issuing her response on Tuesday, she's been hailed as an icon of civility and a too-rare source of hope for the future of our divided nation. Maybe she is those things, and as a general rule, she deserves our support—but she is also absolutely wrong about George W. Bush. Namely, she's ignoring the man's true legacy.
"I'm friends with George Bush. In fact, I'm friends with a lot of people who don't share the same beliefs that I have. We're all different, and I think that we've forgotten that that's okay that we're all different."
Who could argue with that? Differences of belief and opinion are not just a part of friendship; for some people they're the whole basis. And as a morning talk show host, Ellen's job is pretty much to be friends with everyone. While she makes no secret about being generally progressive, she treads lightly when it comes to politics—which is not just smart, but probably necessary for national sanity. Instead of diving into that mess, she thrives in all things cute, silly, and inoffensive.
Her show specializes in harmless pranks, surprises, adorable animals, and child prodigies who make us all feel stupid. It's a world of low-stakes fun, and it's not hard to see how the 2019 version of George W. Bush fits into that world. He's a goofy old man who hasn't been culturally relevant in a decade, and he spends his retirement creating charmingly amateurish paintings of pets, world leaders, and himself bathing. He isn't abrasive and belligerent like Trump. He actually seems pretty humble and sweet, socially.
If I were to meet him without context, I'm sure I would want to be his friend, too, regardless of his personal beliefs. Personal beliefs are a personal matter, and if it were only a matter of beliefs—or even of the social agenda Bush promoted when he was president: pushing for a federal amendment to outlaw gay marriage—then it would be up to each individual to forgive and accept him or not.
This seems to be the frame that Ellen was working from when she paired herself with Bush as "a gay Hollywood liberal sitting next to a conservative Republican president." And in that respect, she no doubt has a lot of practice with forgiveness. After all, 15 years ago, 60% of the country opposed gay marriage, and today more than 60% approve. Should we hold a grudge against that 30% that have changed their minds?
More importantly, should we bother to rehash old issues when a supreme court ruling has rendered them moot? Gay marriage is legal in all 50 states! Portia and Ellen are as married as anyone else. If they don't want to hold onto old resentments over the fight to get there, who are we to tell them otherwise? The problem is: George W. Bush's legacy extends much further than domestic policy. He was once the most powerful man on earth, and the way he wielded that power continues to shape the world for the worse.
George W. Bush is a war criminal.
I'll leave aside waterboarding, Guantanamo Bay, extraordinary rendition, and Abu Ghraib, because there is far too much to talk about in one article, and none of those topics are as cut and dry as the Iraq War.
George W. Bush wanted to go to war with Iraq and Saddam Hussein. Saddam Hussein was an evil man, and Bush had inherited a grudge from his father—along with an oil lust from his Vice President. But the world has no shortage of evil men, so he needed a stronger justification to send the country into a massive war.
In that respect, 9/11 justified the inevitable. It got the whole country so fired up for a fight that there was enough energy for more than one. So George W. Bush and his administration lied. They drew vague, imaginary connections between Saddam Hussein and Osama Bin Laden, then they manufactured evidence of a weapons program that was even more of a fantasy. They manipulated the media, coerced false testimony, ignored voices of reason, and lied, and lied.
They got the country on board through any means necessary, and thrust us into a multi-trillion-dollar war without a plan for the fallout. As a result of that war, hundreds of thousands of men, women, and children have died, millions have been driven from their homes, the entire region has been destabilized, and ISIS formed and flourished in the vacuum of power. We are living in the world that George W. Bush's war created, and we are far worse for it, regardless of his "beliefs."
Is it even possible for someone with such a toxic legacy to earn our forgiveness? Someone who has caused so much misery and turmoil? We may never know… because George W. Bush has never apologized. Maybe all that pain he caused was the result of some mistaken beliefs on his part. Maybe his beliefs have evolved, and he regrets what he did. As of yet, he's given us no reason to suspect that he sees anything in his legacy that would require an apology. It seems unlikely that he will ever give the world that opportunity to forgive him, yet so many of us are already eager to forget what he's done. Will we do the same for Trump and his child concentration camps in another decade?
In a just world, we would leave aside any question of beliefs and put George W. Bush on trial for his crimes. But we don't live in a just world. We live in a world where powerful men rarely face real consequences for their crimes.
Luckily, there is a model for responding to this kind of injustice. if there's one lesson we can draw from the #metoo movement (apart from the basic reality of pervasive sexual assault…), it's that we don't have to wait around for a justice system that isn't on our side. The court of public opinion is fickle and dangerous, but sometimes it's the only tool we have to punish people who are otherwise untouchable. George W. Bush will never be tried at the Hague. The least we can do is shun and shame him. The least we can do is remember.
In her response, Ellen admonishes us to "be kind to everyone'' and accuses the world of forgetting that difference is okay. Has she truly forgotten that war crimes are not?
Louis Tomlinson wants us to know that he's been listening to rock music.
Louis Tomlinson - Kill My Mind (Official Lyric Video)www.youtube.com
In an awkward 2017 profile with The Guardian, the former One Direction member described himself as "forgettable" and endorsed the idea that he was the "lowliest" member of the group, citing the fact that he never had a single vocal solo during his time with the band. "I'm trying to work out why it is that I'm [doing this]," he said, as a few offerings off his upcoming solo album played in the background. So he did what any uninspired artist would do: he went back to his "roots" and listened to the music he grew up with. "I grew up loving bands," Tomlinson told MTV. "Because I'm from the north of England naturally everyone's obsessed with Oasis and Arctic Monkeys." Consequently, Tomlinson's new single, "Kill My Mind," sounds like a mediocre tribute to early aughts British rock.
"Kill My Mind" is melodically reminiscent of a 2006 Arctic Monkeys B-side, while lyrics like, "kept me living from the last time, from a prison of a past life," attempt to carry the metaphorical significance of an Oasis record, but mostly just don't make any sense. Tomlinson's attempt at a low nasally growl when he sings, "and you hate me, and I want more," just sounds like Liam Gallagher mimicry. Thematically, Tomlinson's wish-washy narrative makes it sound like he's trying to appear more prolific and rock-and-roll-esque than he actually is. Even the lyric video shows a cartoon Tomlinson directly copying the outfit and stance of Liam Gallagher during an Oasis performance. All of it feels fraudulent, none of it is compelling, and all of it suggests Tomlinson would rather be a third Gallagher brother than himself.
"Summertime Lover" is a fictional number performed by a fictional boy band in an AT&T commercial. The commercial hinges on the premise that a boy band without dancing is "just okay." Except the song they seem to have created solely to be used as a "just okay" boy band sample is accidentally a total bop. It's been stuck in my head for days, and I've watched the commercial like 80 times already just to hear the 30-second clip.
Just listen to that. Like, damn. I can't be alone in demanding that AT&T drop the full track immediately. And based off the YouTube comments, I'm definitely not.
Obviously "Summertime Lover" is a major throwback to '90s heyday boy bands. The main hook, "Summertime love / With my summertime lover," could have been ripped straight from NSYNC. But when lead singer, Kory, uses his falsetto to sing, "Gimme one chance / I'll treat you like a princess," he carries enough passion and vocal talent to drive the band straight into the modern era. And that wink. Swoon.
So you know what, AT&T. Let's go a step further. On top of dropping "Summertime Lover" as a single (it's honestly a travesty this hasn't been done already), it's time to make this boy band a real thing. I know this is just a silly commercial, but I don't even care. Call up Kory and the boys, hire a choreographer, and make this happen. I swear to G-d, I would buy a ticket to see these guys in concert.
You thought "Summertime Lover" was a big joke, but you were wrong. "Summertime Lover" is a big hit. Time to take it global. #DropSummertimeLover
Singer/musician Kodi Lee is America's Got Talent's latest breakout star—and the media's latest subject of terrible autism-related news coverage.
Golden Buzzer: Kodi Lee Wows You With A Historical Music Moment! - America's Got Talent 2019www.youtube.com
Make no mistake, Kodi Lee is an incredibly talented musician and performer who deserves every ounce of fame and fortune he'll inevitably receive. He also "happen[s] to be blind and autistic too," as he mentions in his Twitter bio. We've written about Hollywood's autism fetishization trend before, so it's important to emphasize the fact that, overall, it's wonderful Kodi is being featured so prominently this season on AGT––the problem lies entirely with the surrounding press coverage.
America's Got Talent has never been a show that shies away from exploiting people's individual hardships and personal tragedies for ratings, so it's no surprise they would go that route for a talented musician with autism. That being said, aside from the audience's collective "AWWW" at the first mention of Kodi's autism, AGT actually handled the topic pretty well, at least within the framework of their baseline exploitative model. Giving Kodi the Golden Buzzer felt deserved, given his excellent performance, and the hosts seemed to treat him with respect when they congratulated him afterwards.
The same can't be said for Newsweek's coverage of the contestant: "WHO IS KODI LEE? 'AGT' CONTESTANT OVERCOMES ALL ODDS, RECEIVES FIRST GOLDEN BUZZER OF THE SEASON." Kodi Lee is a self-described "musical prodigious savant," one of roughly 25 people in the world with a combination of perfect pitch, audio photographic memory, and a hyper-focused attunement for musical expression. This means that he has a natural inclination towards musical talent that's significantly greater than the average population. Newsweek's booming assessment that Kodi has "overcome all odds" to receive the Golden Buzzer is, quite frankly, inane. As mentioned on his official website, Kodi has been performing music for years. Music is not only his passion but something he is uniquely equipped to excel at. If anything, the odds he'd be great were strongly in his favor.
That's not to say Kodi hasn't overcome struggles related to autism––he surely has. But it's important to separate the inevitable struggles Kodi has faced due to autism from his musical talent. Kodi is a wonderful musician and a musical savant, who also happens to be blind and have autism. Conflating these elements only serves to "other" the majority of people with autism, most of whom are not savants and don't necessarily have the type of incredible talents that Hollywood loves to fetishize. This is the main problem with NBC affiliate News 3 Las Vegas's take: "AGT's singing sensation Kodi Lee inspires families living with autism."
The news segment included an interview with Dr. Erin Honke, a clinical neuropsychologist who works with children on the autism spectrum who said, "There's always hope as far as hidden strengths." This is likely true, but the doctor's point was that people with autism can often excel in certain areas, especially when those areas relate to their specific interests. She goes on to talk about how parents focusing on their child's interests can help with development, which is also true. The host, Renee Santos, takes this to mean something entirely different. "All children on the spectrum have strengths just like Kodi's," she says. No, Renee. No, that is not true. Kodi is a savant. Most children with autism are not savants––less than 10% of children with autism display any signs of savant syndrome at all, and 50% of savants don't even have autism. This is a dangerous myth to propagate because, at best, it misinforms the general population about autism. At worst, it completely erases the vast majority of autistic experiences.
Ultimately, Kodi Lee's appearance on AGT is wonderful. He's a skilled, hardworking musician whose appearance on the show displays how diverse people with autism can be. But it's important for the media and viewers to realize that Kodi isn't indicative of every autistic person's experience. He's simply one voice among many—albeit a very nice one to listen to.