Music Features

Before Its Time: How EDM Transformed Ellie Goulding's Folk-Pop

The British pop star's career might've looked entirely different if it weren't for the DJs like Bassnectar and Calvin Harris.

In 2010, a singer-songwriter by the name of Ellie Goulding went from a relative unknown to the newly crowned ruler of the British music charts.

Raised in a village of fewer than 1,000 people, Goulding went on to study at University of Kent, where she was spotted by her future manager. After building a presence on MySpace and linking up with various producers, the budding star inked a record deal with Polydor, who released her first EP, An Introduction to Ellie Goulding, in 2009. TheGuardian called her a "pop sensation" before the EP had even hit stores.

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Satire

Bill O'Reilly Is "on His Last Legs Anyway"

The former host of The O'Reilly Factor wants us to remember that people who are old like him barely matter

Does anyone remember who Bill O'Reilly was?

We probably shouldn't talk about him in the past tense. He's still alive, after all, though probably not for much longer. He's only 70, so he could live another 30 years, and probably someone in the world would be happy to see him still shuffling about, mumbling about writing another Killing So-and-So book, but most of us can see that he's on his last legs. How else could you explain the idea of a man who was once considered a sharp political commentator speaking dismissively about the deaths of tens of thousands of people?

That's exactly what O'Reilly did when calling in to Wednesday's episode of The Sean Hannity Show. Referring to the COVID-19 pandemic that is currently ravaging the hospital system in New York City, Hannity and O'Reilly started out by pining together for a return to normal life, which prompted O'Reilly to find an optimistic angle, saying, "We're making little steps. Bernie Sanders, you know, he's—he's gone, that's really good for everybody."

Seann Hannity Bill O'Reilly Two47 Newswww.youtube.com

It's unclear what O'Reilly might have meant by that—if he felt that the Vermont senator dropping his bid for the Democratic nomination was a positive move in terms of Trump's reelection chances, Joe Biden's shot at the nomination, or just for the country in general. While it seemed to be a complete non-sequitur, perhaps O'Reilly was under the impression that Bernie Sanders' campaign was somehow responsible for the spread of the coronavirus—when people get on in years, it can be hard to tell what they're even talking about.

But after that brief tangent, O'Reilly managed to get back on topic, producing some figures downplaying the on-going tragedy in a way that almost seemed to suggest that the disruption of familiar routines was actually the bigger issue: "The projections that you just mentioned are down to 60,000, I don't think it will be that high. 13,000 dead now in the USA. Many people who are dying, both here and around the world, were on their last legs anyway." As always, O'Reilly is demonstrating the pinnacle of emotional restraint by keeping things in perspective

Bill O'Reilly - We'll Do It LIVE!www.youtube.com

The "projection" he mentioned is the current estimate for the eventual US death toll from the coronavirus. While it's not clear if that figure will include the deaths that are currently being left out of the total count, 60,000 is significantly less horrifying than previous estimates, which put the expected fatalities closer to 100,000. The fact that Bill O'Reilly happens to think 60,000 is still an overestimate cannot be attributed to any expertise in medicine, epidemiology, or statistics, so the best bet is that he's simply confused—as tends to happen to people who are barely clinging to life. It's good to know that when Bill O'Reilly passes—whether that's a week from now, a year, or twenty years—his loved ones can skip the mourning process and shrug their shoulders because, however he dies, he was old anyway. He was on his last legs.

We can leave aside the fact that many of the people who have already died as a result of contracting the novel coronavirus have been in the prime of their lives. O'Reilly would seemingly acknowledge that those cases deserve our sorrow. His point is just that most of the people who are dying are old like him, and therefore not really worth getting that upset about. If we look at Italy, for example, the death rate for people in their 40s who contracted the virus is less than 1%, while with people in their 70s (like Bill O'Reilly) the virus has killed nearly a quarter of the infected. But they're old anyway, so no big deal. Right, Bill?

Three Bill O'Reilly Sexual Harassment Accusers Speak Out | The Last Word | MSNBCwww.youtube.com

The overall message seems to be that if you've ever lost a loved one who was old, you were wrong to get upset about that. They were on their last legs anyway. And if that seems like a heartless, cruel message, please keep in mind that—before he was outed as a serial sexual harasser and removed from Fox News—Bill O'Reilly once hosted the highest-rated show on cable news. These days he is a c-list radio personality.

In other words, he is mentally and physically a hollowed-out husk of his former self—withered away and rapidly deteriorating. We can either wait for him to die, or accept that his life is already devoid of value and start ignoring him now. He's on his last legs anyway.

MUSIC

Dr. Dog's 'Critical Equation' Is An Essential In Any Adventure

TOUR ALERT -- Philly Band Prepares for 3 Night Stand at Brooklyn Steel in June

"A Roiling Caldron of Psychedelia" (NY Times)

Dr. Dog's 'Critical Equation,' the "deeply moving and resonant" (KEXP) new album from the beloved indie rock outfit, was released on Thirty Tigers. Produced by Gus Seyffert (Bedouine, Michael Kiwanuka), 'Critical Equation' has revitalized the sound that characterizes Dr. Dog's sensitivity to subtlety. They recorded during an intense and transformative period. The band questioned their creative process and emerged with what is "arguably Dr. Dog's best work" (WXPN).

Watch the band's performance of "Listening In" on Live From Here With Chris Thile:

Dr. Dog is currently on their first tour in two years, which includes a three-night run at Brooklyn Steel -- full dates below!

'Critical Equation' mentions...

"a roiling caldron of psychedelia...it could almost be Santana, infused with 21st-century dread and nerve." - New York Times, on "Go Out Fighting"

"the moment of realization just before emotional trauma hits home; it's a sadness so profound that it can't be spun into a lighthearted song." - NPR Music, on "Listening In"

"The deep, pulled-back grooves of Critical Equation reveal the harnessed intensity of the songs and performances so deliberately that their myriad pleasures and embedded hooks will sneak up on you" -- Uncut

"an ode to the perseverance the band found in themselves -- and that the world at large gravely needs." - Consequence of Sound, on "Go Out Fighting"

"deeply moving and resonant songwriting...[Dr. Dog] uses restraint as a strength and sounds at the top of their game while doing it." - KEXP

Listen

Tour Dates

5/2 Boston, MA - House of Blues
5/4 Detroit, MI - Majestic Theatre
5/5 Chicago, IL - Riviera Theatre
5/6 St. Paul, MN - Palace Theatre
5/8 Milwaukee, WI - Turner Hall Ballroom
5/10 Tulsa, OK - Cain's Ballroom
5/11 Dallas, TX - Granada Theater
5/12 Austin, TX - Moody Theater
5/13 Houston, TX - White Oak Music Hall
5/14 San Antonio, TX - The Rustic
5/16 New Orleans, LA - Joy Theater
5/17 Birmingham, AL - Iron City
5/18 Atlanta, GA - Tabernacle
5/19 Black Mountain, NC - Pisgah Brewing Co.
6/1 Santa Ana, CA - The Observatory
6/2 San Diego, CA - Observatory North Park
6/3 Pioneertown, CA -- Pappy & Harriet's
6/5 Los Angeles, CA - The Theatre at Ace Hotel
6/7 Oakland, CA - Fox Theater
6/8 Portland, OR - Arlene Schnitzer Concert Hall
6/9 Seattle, WA - The Moore Theatre
6/11 Salt Lake City, UT - The Depot
6/13 Denver, CO - Ogden Theatre
6/14 Denver, CO - Ogden Theatre
6/15 Kansas City, MO - Truman
6/16 Indianapolis, IN - Sun King Brewery
6/17 Pittsburgh, PA - Stage AE
6/19 Brooklyn, NY - Brooklyn Steel
6/20 Brooklyn, NY - Brooklyn Steel
6/21 Brooklyn, NY - Brooklyn Steel
6/22 Vienna, VA - Wolf Trap
6/23 Philadelphia, PA - Festival Pier at Penn's Landing
7/13 Greenfield, MA - Green River Festival
7/14 Greenfield, MA - Green River Festival
7/15 Greenfield, MA - Green River Festival
8/10 Waynesville, OH - Bellwether Festival

Follow Dr. Dog on Facebook | Twitter | Instagram | YouTube


Dan Victor is editor of Popdust and producer of Popdust Presents. He is also a music producer, bassist for Low Profile (live hip hop) & The Coldpress (indie rap) and front-man for Ductape Halo (indie rock). Follow on Youtube.


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Emmy award winner Lena Waithe's new show about the lives of black citizens of Southern Chicago is something so special.

Most Americans have consumed some form of TV - and those that haven't are surrounded by the remnants of it. They see ads for TV shows, listen to people talking about those shows - TV has managed to become a facet of the modern human experience. So, it begs the question: Why are we only seeing the same stories being told over and over again?

Don't get me wrong, we've seen a bit of a TV renaissance in recent years. The age of reality TV has given way to a new era of scripted dramas, dramedies, and the like ranging from Breaking Bad to Supernatural to Game of Thrones. And as great as this new influx of creative energy is - it's also come with a slew of glaring issues. Issues that range from a lack of representation to the mistreatment of minorities that do get introduced.

The Cast of The Chi (Mathieu Young | SHOWTIME)

That's what makes Lena Waith's The Chi such a beautiful outlier compared to most TV we're getting exposed to. I have to give a special disclaimer - I have only seen the first episode due to my lack of money for Showtime (but I'm saving up! I swear!) - so keep in mind that all of my reactions and thoughts revolve around that episode. And man, what an episode it was. Okay, disclaimer over.
The pilot is one of the strongest I've ever seen. Throughout the pilot, we are shown the tragic deaths of two black youths, Jonah and Coogie. They are both shown to be bright, beautiful young men - and their deaths are portrayed and senseless and heartbreaking. These deaths directly and indirectly interconnect the lives of an astounding cast of characters. And they are each used to their fullest throughout the episode, whether we're seeing young Kevin - played by Moonlight star Alex R. Hibbert - witnessing the tragic shooting of another character, Brandon - played by the brilliant Jason Mitchell - delivering a beautiful eulogy in that character's honor, or Emmet- played by the hilarious Jacob Latimore - trying to hide from the woman who has given his third child.

Through these characters, we are given a full spectrum of human emotion. We are shown immense grief and pain, we are shown pride and love, and we are even treated some well timed moments of humor to bring us back from the heartache. And it's done so with such precise balance - you never feel like it's ever too much. The only thing you do is wonder why? How could that happen?

In a world where racial tensions are running high, Lena Waithe puts forward an idea that shouldn't be as revolutionary as it is: That black stories are not only valid, but just as important as white stories. You can feel her passion and her care for the place and the people she writes about. And as an audience member, she managed to captivate me every second. She doesn't turn the South Side into some seedy crime-filled underbelly. She shows you what it is: A part of the Chicago where real people live and hurt and try their best to get ahead. It's got problems and sometimes it's dangerous, but that's not all this is.

Honestly, you have to watch this show. Especially if, like me, you haven't been exposed to these stories before. Plus, it's a damned good piece of TV.

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