Can someone please tell me just what it is about those Netflix series that cause us to adapt our entire personalities to a show - particularly surrounding its release? Wednesday had everyone in an all-black haze…but move over, because Emily in Paris has returned for Season 3.

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MUSIC

From SXSW to Coachella, Will the Coronavirus Kill Live Music in 2020?

With a recent spate of cancellations and mounting fear of an emerging pandemic, the near-future of live music is in doubt.

Photo by Yvette de Wit on Unsplash

UPDATE:

Both SXSW and Coachella have been canceled, with the latter beung technically postponed until October. Coachella organizers released a statement on March 10:

At the direction of the County of Riverside and local health authorities, we must sadly confirm the rescheduling of Coachella and Stagecoach due to COVID-19 concerns. While this decision comes at a time of universal uncertainty, we take the safety and health of our guests, staff and community very seriously. We urge everyone to follow the guidelines and protocols put forth by public health officials.

Coachella will now take place on October 9, 10 and 11 and October 16, 17 and 18, 2020. Stagecoach will take place on October 23, 24 and 25, 2020. All purchases for the April dates will be honored for the rescheduled October dates. Purchasers will be notified by Friday, March 13 on how to obtain a refund if they are unable to attend.

Thank you for your continued support and we look forward to seeing you in the desert this fall.

Less than a week prior, for the first time in 34 years, SXSW was canceled by the city of Austin, citing public safety concerns over the coronavirus.

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Billie Eilish

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Certain musicians are blessed with the ability to hear, see, feel, or taste music, a variant of the neurological condition known as synesthesia.

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MUSIC

FKA twigs Sword Fights and Pole Dances to Purge Heartbreak in Brooklyn

At Kings Theatre, FKA twigs served crowds the most emo pole dancing music of all time.

FKA twigs

At Brooklyn's Kings Theatre, FKA twigs performed magnificent physical and vocal feats and mesmerized a massive audience with her technical acumen and emotional intensity.

During the show, she tap-danced, pole-danced, hit operatic high notes, and even demonstrated an incredible sword-fighting sequence during a musical interlude in the middle of her song "sad day." The show consisted of innumerable costume changes and intricate choreography, mirrored by four talented backup dancers and soundtracked by three impressive instrumentalists. Though she began the show solo, the dancers and musicians slowly became more and more incorporated into the act until they all moved together as a single entity, eventually ending the performance in an embrace.

Twigs was promoting her new album, Magdalene, and she fully leaned into its theatrical and biblical imagery, sporting a variety of traditional, religious, and regal costumes as well as barely-there lingerie for her pole dancing routine. Throughout it all, there was not a single misstep or missed note, but there was one underlying dissonance: How could Robert Pattinson possibly have let someone like twigs slip away? The kind of desperation in twigs' Magdalene songs also seems to be asking this very question. If I can reach such heights, and inspire such devotion from audiences, she seemed to be screaming throughout the show, why don't I do it for you?

Though undeniably impressive, the show may have been better suited to a smaller theatre. During moments of silence, audience members kept screaming and shouting up to the stage, distracting from the show. Then again, it's hard to ask an audience of that size to keep quiet, especially when witnessing someone with twigs' star power.

Perhaps aware that she wouldn't be able to get a word in edgewise without someone shouting, twigs only spoke to the audience a few times, once to greet the crowd and once to ask a series of pointed questions. "How many people came here alone? How many people are single? How many people have had their hearts broken?" she asked, waiting for hands to raise between each question, laughing at the enthusiasm of New York City's affirmative responses. "Well, I have."

It was a moment of rare intimacy and rawness which reminded the crowd that, in spite of her superhuman physical and artistic abilities, twigs struggles as much as the rest of us with matters of the heart.

FKA twigs - Cellophanewww.youtube.com