MUSIC

Why Music Hates Trump: Prince's "Purple Rain" and Pop's War with the President

Using "Purple Rain" is a particularly low blow. Did anyone really expect anything different from Trump?

Prince

Uncredited/AP/Shutterstock

Donald Trump used Prince's music at a campaign rally, and Prince's estate is not happy about it.

Over a year ago, Trump promised Prince's estate that he would not use any of the late artist's music for his campaign events. But yesterday, "Purple Rain" boomed across the crowds as Trump took to the stage in Minneapolis. In response, Prince's estate posted a photo of a letter that confirmed the President's vow to refrain from using the songs.

Prince fans are as outraged as his estate. As the song played in Minneapolis, protests broke out in the theatre across the street from the rally, which is where the song's original music video was filmed. Now Twitter and the Internet are ablaze with anger, though as usual, the President will likely face no consequences for his blatant disregard of the law and all moral decency.

Prince died in April 2016, months before Trump was elected, but one would imagine that the singer—who openly discussed AIDS, criticized the machismo of the space race, supported Black Lives Matter, and relentlessly fought corporate interests in the music industry—wouldn't approve of 45, to say the least.

Using "Purple Rain" is a particularly low blow. The Trump team's decision to play the song is arguably as insensitive as the time the president played Pharrell Williams' "Happy" mere hours after a gunman killed 11 people at a Pittsburgh synagogue.

"Purple Rain" is Prince's number one hit, inextricable from his legacy and persona. It's a song about forgiveness and love and the expansive force that truly great music can be. One needs only to watch the first moments of the song's music video to comprehend the force of the song's meaning; you can see it written all over Prince's face.

Prince - Purple Rain (Official Video)www.youtube.com

On the other hand, Trump—as an entity, a symbol, and a politician—is fundamentally hollow, a cheap mutation of garish American greed and corruption. He never fails to dig his claws deeper into all that seems to mean something in this world, and he never expresses an ounce of remorse or empathy.

Using "Purple Rain" in a campaign rally is far from the worst thing Trump has done—encouraging white supremacy and xenophobia, imprisoning innocent children, and denying climate change are contenders for that prize—but it does symbolize something powerful. It also reveals exactly why Trump and music exist in polar opposition to each other. Music is about truth, connection, artistry, and empathy, all of which Trump lacks the ability to understand.

What makes Trump so incompatible with music? Perhaps it's that Trump as an entity is essentially atonal and dissonant. There's no harmony to his way of operating, no beat or rhythm or reason to the spaces he and his administration and supporters occupy. There's no emotional consistency and no resonance to his existence. He stands in opposition to everything that music is and all that musicians tend to stand for (unless you're Kid Rock or Kanye West, tragically). It can't be a coincidence that in The Art of the Deal, he wrote that in second grade, "I punched my music teacher because I didn't think he knew anything about music and I almost got expelled."

Is anyone surprised that this man doesn't respect Prince's legacy enough to refrain from using his work against his will? Has Trump ever granted anyone that decency?

In general, musicians want nothing to do with the president. Who could forget the struggle he underwent to garner support for his inauguration, and everything that's happened since? Just this week, in her Vogue cover story, Rihanna attacked Trump in a discussion about gun violence in America. She said, "Put an Arab man with that same weapon in that same Walmart and there is no way that Trump would sit there and address it publicly as a mental health problem. The most mentally ill human being in America right now seems to be the president."

So many other musicians have asked Trump not to use their music that it would be impossible to list them all here. Adele, Elton John, R.E.M., Pharell Williams, Axl Rose, The Rolling Stones, and many more have told him to keep his paws off their work, and hundreds of others have denounced him in their music and personal statements.

Even if Trump did possess an atom of musicality or knew how to listen to a sound other than the grating industrial noise that certainly fills his own brain, "Purple Rain" would be a strange song choice to use for a campaign rally. When describing the song, Prince said that "'Purple Rain' pertains to the end of the world and being with the one you love and letting your faith/god guide you through the purple rain." In another song, "1999," he associated a purple sky with a kind of final apocalyptic revelation, singing, "Could have sworn it was Judgment Day, the sky was all purple."

It sometimes does seem that Trump is a steward of some kind of apocalypse, indicative of some sort of breaking point. It's likely that his rise represents a rupture in American democracy as we know it, marking a final ending to what we knew and the beginning of something else. This could be a very positive thing, if the anger he's churned up carves out space for new visions of justice and equity in the form of the downfall of corrupt corporate interests, or it could mark our further descent into the end times. Either way, none of this makes Trump's use of "Purple Rain" any less troubling. All we can hope for is that Trump and all he stands for faces Judgment Day sooner rather than later.

Music Features

7 New Songs You Should Hear This Week: Music for New Beginnings

New songs from Lizzo, Weyes Blood, Jai Wolf and more. Made for falling in love, dancing the night away, and welcoming spring at last.

Spring is finally here, and this week's selection of new music is all about fresh starts. Whether they're celebrating newfound freedom after the end of a confining relationship or relishing early sparks of new love, these songs are made for dancing and free-falling into the bright blankness of the future.

"Gardener in Rain" compares music-making to gardening, while Lizzo wants you to celebrate no matter your size; but all of these songs radiate the kind of light and energy that's sure to propel you through the home stretch of winter, straight into whatever's coming next.

1. Slow Dakota — "Gardener in Rain"


Slow Dakota - "Canticle 69"www.youtube.com

Indiana native P.J. Saurteig has been releasing some of the best baroque-pop around for years now. His newest music—starting with "Canticle 69," the earworm about pornography ruining sex and/or how we're all living in the simulationhas been leaning more towards pop, but it never sacrifices Slow Dakota's characteristic lyrical integrity and existential rigor. "Gardener in Rain" shimmers with plucked keys and playful rhythms, which rise up with all the color and life of a garden in the heart of an April shower. It's a beautiful and triumphant composition about how making music or art of any kind may seem like shots in the dark, but just like a gardener knows he can't kill every weed, still, the daily process of crafting and creating soothes some of life's tribulations.

2. Lizzo feat. Missy Elliot— "Tempo"

Lizzo - Tempo (feat. Missy Elliott) [Official Audio]www.youtube.com

Lizzo deserves every bit of press and praise she's ever gotten, so here's another mention—this time about her newest single, "Tempo," an exuberant and uncontainable ode to limitless self-love. If you haven't heard it yet, turn the volume up, put the disco ball on, forget every bit of insecurity you've ever felt, and embrace your extraordinary ability to move. Lizzo and Elliot speak and belt their truths over an intoxicating beat, intricate synthesizers, and electric sirens, making this a track that's both intense and effervescent, perfect for dancing yourself into a sweat, leaving you uplifted and ready to plunge fearlessly into the future.

3. Weyes Blood — "Something to Believe"

Weyes Blood | “Something to Believe" | Midwinter 2019www.youtube.com

NPR just premiered Weyes Blood's new album, Titanic Rising,and it's an impressive follow-up to 2016's Front Row Seat to Earth. The Los Angeles singer-songwriter takes inspiration from everything from climate change to Jim Carrey, winding it all together to craft a musically innovative tribute to toughing it out in a world that seems to make less and less sense. On "Something to Believe," she continues her tradition of delivering songs that walk the line between humor and elegance, eloquence and sarcasm, abstract poetry and cultural commentary. A driving beat and euphoric, almost 1980s-power-ballad-esque guitar motif guide the song to its ecstatic chorus, making this the perfect track to blast on a long car ride or to listen to on your best headphones, drinking in the cacophony of sounds and lyrics that blend together to form an anthem for our modern era.

4. August Eve — "You Already Know"

August Eve - You Already Know (Official Visuals)www.youtube.com

An LA native like Weyes Blood, August Eve's rich, velvety vocals set her apart from the bevy of other artists creating similar dream-pop dirges. This song is a dizzying ode to words unsaid, to the secret little signs of love that weave their way between people like smoke through an underground club. "It's better in my mind / somewhere in my dreams / felt you look at me," she sings—lines that encapsulate a longing all-too-relatable to anyone who's ever temporarily fallen for a stranger, or who's experienced the brief, electric friction of new, unspoken affection. Near the end, the song rises out of its hazy gloom as lightly plucked violins escalate along with Eve's voice, evoking images of sunrises, open roads, and the possibilities of a new day.

5. Mathew V — "Catching Feelings"

Catching Feelingswww.youtube.com

London-grown and Vancouver-based artist, Mathew V, just released his shamelessly danceable single "Catching Feelings," and it's the perfect song to get you tapping your feet at any time of day or night. This saccharine track glitters with life and vibrancy. The beat is just the right speed to match the rhythm of strutting down New York City streets, feeling the soft rays of early spring light, heading towards new possibilities. It's a bit formulaic, but in the best way; it feels simultaneously familiar and fresh, and marks the emergence of a formidable new talent in the dance-pop realm. Where the artist's previous releases have stayed more in the folk-pop sphere, this is an earnest, refreshing celebration of love, that most tumultuous, wonderful, and chaotic of emotions.

6. Jai Wolf — "Better Apart" (feat. Dresage)

Jai Wolf - "Better Apart" [feat. Dresage] (Official Audio)www.youtube.com

Jai Wolf's newest release may be one of the most exuberant songs about a breakup ever written. It's expansive enough to fill stadiums, catchy and easy enough on the ears to make it suitable for everything from lying around on a summer afternoon to smiling wryly in the last frame of a movie as your jet plane sails away from everyone and everything that's been holding you back. Jai Wolf's honeyed voice soars above the uncontainable beat and windswept synths, winding together to form a pop song that feels like the best kind of liberation—a promise that every ending is just a beginning.


Eden Arielle Gordon is a writer and musician from New York City. Follow her on Twitter @edenarielmusic.


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PREMIERE | Kazyak Releases Music Video for 'Belmonte'

Psychedelic alt-rock from the Twin Cities.

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MUSIC

PREMIERE | LowRay Releases 'The Friends And The Fakers'

Who Can You Trust if Life is Nothing But a Sitcom?

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Minnesota is famous for artists like Prince, The Replacements, and Husker Du.

Soon we'll be able to add LowRay to that list.

LowRay, a pop-rock duo from the Twin Cities, premieres their music video for "The Friends And The Fakers" today. The song is the first single from LowRay's forthcoming full-length album. Paying homage to Minnesota's heritage of sitcoms like The Mary Tyler Moore Show, Coach, Get a Life, and The Many Loves of Dobie Gillis, the song contemplates the elusiveness of honesty in a world overflowing with posers and fakers.

Made up of James Irving (drums), who played with England's blues-rock band 22-20s, and Dan Fowlds (vocals, guitar), who played with Pill Hill, and Bump, LowRay's debut EP, called Columbia, features six tracks and garnered oodles of fans for the duo.

Opening with gleaming Tom Petty-like guitars atop a compact and contagious pop-rock melody, "The Friends And The Fakers" reflects retro flavors harking back to The British Invasion, only with contemporary energy and iridescent harmonic colors. Fowlds' nasal tenor exudes delicious drawling tones, as silky vocal harmonies inject the tune with coruscating textures. The lyrics consider the paucity of trust in human interrelations when confronted with pervasive ambition and self-serving deception.

"Who can you trust / When you're needing a friend / Who can you trust / If it's all just a scam / When we share / Openly from the start / The leeches feed on us / And stamp on our heart / You get your choice / Between the friends and the fakers / The givers and takers / The superstar makers."

The video, directed by Adam Dunn, interprets life as a television sitcom, introducing the cast of players, most of whom are phonies seeking only personal aggrandizement. The natural desire for sincerity is regarded as heresy.

"The Friends And The Fakers" glows with tight, intent harmonics, both captivating and alluring, as well as Fowlds' stunningly dense voice. LowRay certainly has it going on.

Follow LowRay Website | Facebook | Twitter


Randy Radic is a Left Coast author and writer. Author of numerous true crime books written under the pen-name of John Lee Brook. Former music contributor at Huff Post.


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