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Imagine a film about war. Then, imagine a film about journalists. Somehow, Ex Machina’s Alex Garland fashioned one of the most compelling stories of the year by marrying these unlikely premises. Even more unlikely? He convinced A24 to make an action film. Don’t worry, this is not a souped-up Marvel movie. It’s exactly what you’d expect from our favorite indie studio’s first venture into the action genre: subversive, thrilling, and intrepid.
After wowing audiences with films like Ex Machina and 28 Days Later, it’s no surprise that director Alex Garland’s latest dystopian effort is unsettling and awe-inspiring. The highly anticipated film is already rated 93% on Rotten Tomatoes after premiering at SXSW 2024.
At a SXSW panel, Garland gave some insights into what it means to make a movie about the dystopian future that feels so close to being real. While movies like Contagion and Garland’s own 28 Days Later felt prescient at the height of the pandemic, no one could have predicted that. But Civil War feels like a nightmare we’ve all been having for the past decade. It’s comforting, in a way, to know others are experiencing this nightmare too. But it’s dread-inducing to see it play out on screen and think: this is us. This will be us. Soon.
And that’s precisely the state of anxiety Garland wants us in.
“Cinema is inclined towards whatever it's presenting itself, and it’s inclined to not being anti-war,” Garland told the panel at SXSW. “To accurately present the action, it contains adrenaline. And if you add music to that, and you add a certain kind of imagery to that, essentially, it becomes seductive.”
Garland didn’t want to make a sexy war movie. He didn’t want to give us an easy watch.
His solution: making it as disorienting as possible. Unexpected musical moments, atrociously violent cuts of brutality, and gore abound.
“That De La Soul track [that plays during a pivotal scene] had a particular function which was to be jarring and aggressive and speak somehow to the perverse pleasure in what was happening,” Garland explained.
From the score to the cinematography, Garland has managed to make a war movie that does not, in any way, glamorize war. To do that, he had to keep the audience anxious and tense The product: the most stressful watching experience I’ve ever endured. But my god, it was worth it.
What is Civil War (2023) about?
@moviesaretherapy Civil War review #fyp #foryou #movies ♬ original sound - Kit Lazer
Civil War is set in a not-too-distant future when California and Texas have seceded, and the ensuing civil war has caused chaos across the United States. A team of war photographers and journalists make a dangerous journey to Washington DC with the goal of interviewing the President before American democracy falls.
It stars Kirsten Dunst in a career-best performance as jaded photojournalist Lee, alongside Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons.
It’s a war movie. An action movie. A morbid road trip movie. But above all, it’s a nuanced ode to journalists. “I wanted to make journalists the hero,” said Garland. “In any kind of free country or, let's say, democracy, journalists are not a luxury, they're a necessity. They are absolutely as important as the judiciary, the executive, or the legislature, and they are literally as important as a free press that is respected and trusted. Now, journalists have done some of the work to be distrusted themselves. But a lot of other interested parties have been complicit in making them untrusted. And I think it's unhealthy. And I think it's wrong. So I wanted to put journalism at the heart of it.”
Though the characters are complex and flawed, we spend enough time with them in a van to cause us to not just love them, but respect them. We believe in them. We believe in their work. If the film’s action doesn’t manage to seduce us, we are seduced by the characters’ prevailing idealism in such dire times.
It’s prescient, too, to be celebrating war journalists — people with nothing to protect them but cameras and press vests — in the current global climate. Garland could not have anticipated Civil War would be released at a time when many of us are quite familiar with the names of press journalists across the world — Motaz, Bisan, Plestia. Outfitted with far less ego and equipment than the journalists in this film, the reality of journalists in Palestine is impossible not to recall while watching Civil War. It adds another thread of reality to the film that makes it all the more effective.
Is Civil War (2023) good?
Civil War pulls off Garland’s intended feat of creating an unequivocally anti-war war movie. But it’s by no means flat or didactic. The tapestry of scenes the characters encounter keeps the film moving. With each stop they make and each new character we meet, we learn something new about this world — and about ourselves.
This is perhaps the most impressive accomplishment of Civil War. It tells us about ourselves.
Garland shows us ourselves in the characters, in the polarized nation, and in the scenes of atrocity, the film never shies away from. “The first season of The Handmaid's Tale did something very interesting, which was it had bits of imagery that would seem shocking. But as you're watching them, you realize there was a real-world allegory or parallel. We basically did the same thing,” revealed Garland.
“The scenes are referencing moments from the real world. But not, it's important to say, exceptional moments. Moments that you would expect in any war. And in a way, that's part of the point. I think it was necessary to do that if one is going to be anti-war. Some of the sanitizing might pollute the message.”
The film is also tremendously evocative emotionally because it is so immersive. The film offers the audience the chance to feel like it’s behind the camera by following the photographers and revealing the shots the characters “take” during the film. And to get the shot, we go with them into the line of fire.
This is where I make my plea: you must watch Civil War in IMAX. Wrapped in the giant screen and surrounded by the full power of a fantastic soundtrack, this was the most immersive watching experience of my life — even more than any 3D film I’ve ever seen or Oppenheimer … sorry, Christopher Nolan. As if we needed the movie to feel more real, IMAX puts you right in the thick of it.
Ultimately, Civil War isn’t really a warning — it doesn’t make political moralizations. But it’s a call to action. Or a call to remembering. It urges us to appreciate, above all, perspective and truth.
Civil War has its wide release on April 12, 2024. Prepare your nerves. Watch the trailer here:
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Breaking news: it's Friday. So that means we have a whole week's worth of new music. After Billie Eilish basically broke the internet by announcing a new album this week, everyone's wondering who else is gearing up to release some future Grammy nominees. My guess? Harry Styles. (Or is that just a wish?)
Either way, we have to focus on the present. While I'm overly ecstatic for it to be the weekend, I'm also equally excited to be listening to all these songs on Spotify. Plus, Coachella starts today, and I know a lot of you are going to need to add some songs to your pregame playlists.
As always, I've combed through every New Music Friday playlist, I've read all the press releases, and I've done my own research. Here are some of the best new songs to listen to that were released today. Let's get listening!
Sabrina Carpenter- "Espresso"
Sabrina Carpenter is having herself a year. Ahead of her first Coachella performance this weekend, she releases "Espresso", a fun-loving hit single that makes you want to lose all your worries and just move. Carpenter is having fun with her life, and it reflects her music. Written in Paris, she was in her traveler mindset just appreciating what the world had to offer. One of my favorite releases today, "Espresso" is a certified banger.
Sabrina told Zane Lowe,
"I don't think I've ever gone into writing an upbeat, confident record being like, "I really want to write an upbeat, confident record." I have to be in that headspace and I have to be in that mood. And this was one of those times in my life where it was just like, I just thought I was the shit in the moment."
Perrie- "Forget About Us"
Perrie Edwards may not be a familiar name by any means...formerly a leading member of Little Mix, Edwards' vocal power set her apart from the crowd early on. "Forget About Us" is Perrie's debut single as a solo artist, a pivotal song that's both upbeat in melody and melancholic in lyricism.
Written alongside Ed Sheeran, she reminds us in the same track that although relationships don't always last, they're still dynamic moments in our lives that shape who we are. Edwards says,
“I look back on past relationships and do think happily about those times. Do I want to be there now? No. It didn’t work out that way and if it was supposed to be it would have happened. Relationships have been a huge part of my life and they've made me who I am now. I think it’s a nice sentiment to be honest about and it’s super relatable.”
Peter McPoland- "Speed of the Sound (of you)"
Peter McPoland is a one-of-a-kind talent in the music industry. A special force who can write, produce, and record a record by himself and have it sound flawless, McPoland has an ear for a hit track. As his prowess grows, the songs get better...which is exactly the case with "Speed of the Sound (of you)."
McPoland's first song of 2024 doesn't disappoint by any means. It's a bop that's worthy of playing over and over. Unique in its own way, Peter McPoland delivers yet another earworm-y song.
Dua Lipa- "Illusion"
I'm getting a bit upset with Dua Lipa for not releasing any sort of ballad and declaring that her album would sound different than the rest...however, I can't deny that her disco-pop style is great for partying. Although she hasn't strayed far from her usual style, Lipa shows us she knows what it takes for a chart-topping record...and she's sticking with what works.
"Illusion" is every bit the 80's workout sound you know and love.
Future, Metro Boomin- "We Still Don't Trust You"
Metro Boomin is the Jack Antonoff of rap, if that makes sense. A highly regarded producer and creator who can work with the best-of-the best and create a Grammy-nominated album every single time. Every time you hear that iconic "Metro Boomin want some more" intro, you know you're getting a banger.
"We Still Don't Trust You" is an absolute vibe. A song I could see myself driving on the highway to at midnight, it's more beat-heavy than about lyricism. Plus, a few melodies from The Weeknd make this even more of a brooding, moody tune that just works.
Maggie Rogers- "The Kill"
Maggie Rogers has gone for the kill with her new album, Don't Forget Me. A songwriter to her core, Maggie Rogers is highly regarded as one of the best indie alt stars of our generation. This album deserves its own separate article, but "The Kill" is one of her best submissions.
About a relationship that has gone sour, Maggie Rogers reflects on how things used to be good...but now they're just going for the kill.
Chlöe- "Boy Bye"
Chlöe delivers an electric breakup anthem with "Boy Bye." I immediately added this to my playlist because the song encapsulates being so done with a partner, needing to leave them because they don't treat you right. She bids her boy bye with this upbeat R&B track, telling him to go back to his mother because she won't even cry.
It makes me even more excited for her debut album, In Pieces. The world is in desperate need of an R&B diva who isn't afraid to tell it like it is...and I think we've found her.
Suki Waterhouse- "Fun"
New mother, Suki Waterhouse, is wasting no time getting back to her music. In "My Fun", she yearns for a partner who loves her like she loves having her fun. A folksy rock track that is reminiscent of classic greats like The Beatles, "My Fun" is the perfect ending to this playlist.
Fun loving, scream worthy, "My Fun" is an easy listen. Suki Waterhouse makes no mistakes with her music.
Listen To Our Full Playlist Here:
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Simon Emmett/Courtesy of the Artist
Over the last few years, HAUSER has become one of the world's most popular classical performers. His shows are spectacles that thrill thousands of fans for up to three hours. With dozens of musicians on stage, the Croation cellist covers well-known orchestral themes as well as new arrangements of modern hits.
Although his previous album focused on Latin pop songs like "Livin' La Vida Loca," his new album, out April 19, returns to traditional melodies. CLASSIC II is full of favorite compositions like Rachmaninoff's Symphony No. 2 and Mozart's Piano Concerto No. 23.
Soon, HAUSER will embark on a summer North American tour with stops at iconic venues like Carnegie Hall, Nashville's Ryman Auditorium, and the Orpheum Theater in Los Angeles. Focusing on the classics, the concerts will give audiences across the country one of the most unique experiences in music.
Watch HAUSER talk to Jordan Edwards and Demi Ramos about his ascension as a solo artist, epic live performances, and favorite compositions.
HAUSER North American Tour Dates
Fri, May 31, 2024 - Hollywood, FL - Hard Rock Live
Sat, June 1, 2024 - Clearwater, FL - Ruth Eckerd Hall
Sun, June 2, 2024 - Orlando, FL - Walt Disney Theater
Tues, June 4, 2024 - Virginia Beach, VA - Sandler Center
Wed, June 5, 2024 - Washington, DC - Warner Theatre
Thurs, June 6, 2024 - New York, NY - Carnegie Hall
Sat, June 8, 2024 -Toronto, ON - Massey Hall
Sun, June 9, 2024 - Detroit, MI - Fisher Theatre
Tues, June 11, 2024 - Indianapolis, IN - Murat Theatre
Thurs, June 13, 2024 - Minneapolis, MN - State Theatre
Fri, June 14, 2024 - Chicago, IL - Ravinia Festival
Sat, June 15, 2024 - Nashville, TN - Ryman Auditorium
Mon, June 17, 2024 - Dallas, TX - AT&T Performing Arts Center
Tues, June 18, 2024 - Austin, TX - Bass Concert Hall
Thurs, June 20, 2024 - Denver, CO - Paramount Theatre
Fri, June 21, 2024 - Salt Lake City, UT - Eccles Theater
Sat, June 22, 2024 - Las Vegas, NV - Wynn Las Vegas – Encore Theater
Sun, June 23, 2024 - Costa Mesa, CA - Segerstrom Center for the Arts
Tues, June 25, 2024 - Phoenix, AZ - Mesa Arts Center
Thurs, June 27, 2024 - Los Angeles, CA - Orpheum Theatre
Fri, June 28, 2024 - Saratoga, CA - The Mountain Winery
Sat, June 29, 2024 - Oakland, CA - Fox Theater
Sun, June 30, 2024 - Temecula, CA - Pechanga Theater
HAUSER - Song to the MoonHAUSER performing Song to the Moon from Rusalka by Antonín Dvořák with the London Symphony Orchestra From my new ...
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