Mike Kerr and Ben Thatcher are childhood friends who shared a love for rock-and-roll music growing up. With Kerr's vocals and bass and Thatcher's drums, together the pair created Royal Blood- manifesting their love of rock into a full-fledged rock duo sensation. The British duo have been making hits for a while now, amassing a dedicated fanbase for good reason.

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MUSIC

The New Freddie Mercury Demo Has a Vital Message for Our Time

Mercury's stripped-down rendition of "Time Waits for No One" from the multimedia musical "TIME" is a stunning gift from an unforgettable talent.

Dressed in white from head to toe, surrounded by smoke and stage lights, Freddie Mercury looks every inch an angel descended to earth in the video for "Time Waits For No One."

Mercury first recorded the song in 1986, and a version featuring a massive choir of backing vocalists was released that same year. Yesterday marked the release of a never-before-heard demo of the song, featuring only his voice soaring over a triumphant piano backdrop. On it, the singer's unmistakable vocals take center stage, and the stripped-down arrangement communicates the lyrics' message even more powerfully than the original.

Freddie Mercury - Time (Official Video)www.youtube.com

"Time Waits For No One" is an almost painfully relevant song that seems handmade for our day and age—though, then again, its call to solidarity taps into something that humanity has seemingly always needed to hear. "We have to build this world together, or we'll have no future at all," Mercury sings, a resounding sentiment for our times and for all time.

The song is taken from a musical called TIME, with a book by David Clark and David Soames and music by Jeff Daniels. The show is about a rock star named Chris Wilder, who gets transported along with his band to the High Court of the Universe in the Andromeda Galaxy. Once there, he meets the Time Lord Melchisedic (allegedly inspired by the Time Lord of the Doctor Who series), who tells him that the moment has come to determine if the people on earth can be a part of the universal journey towards peace.

Time the Musical - Dave Clark and Cliff Richard, Freddie Mercury, Dionne Warwickwww.youtube.com

Though he never performed in the show, Mercury sang the main character's part on its concept album, which also featured Julian Lennon and Dionne Warwick. The show's spoken theme, which includes a philosophical speech narrated by Lawrence Olivier, was an unexpected hit on the charts in Australia, but in spite of this, the album remained offline until 2012, when a 25th-anniversary edition was released on iTunes.

"Time" (renamed with a longer title on the new demo) is the third track on the concept album. Apparently, Mercury preferred the demo to the official version. According to songwriter Dave Clark, "When we first recorded [the song], I went to Abbey Road and we ran through with just Freddie and piano. It gave me goosebumps. It was magic. Then we got down to recording the track and we [added] 48 tracks of voices, which had never been done in Abbey Road before, then the whole backing. It was fabulous—but I still felt there was something about the original rehearsal."

That something is palpable in the chill-inducing video from that first rehearsal. In it, Mercury is a larger-than-life presence, an embodiment of conviction and hope, communicating a message that seems to be largely absent in modern music. "Let us free this world forever, and build a brand new future for us all," he sings. His voice and presence, which radiate an almost unearthly star power even through the computer screen, are so powerful that you can't help believe in the possibility of a better world.

MUSIC

Popdust's Spooktacular Halloween Playlist

Are you tasked with hosting a Halloween party this year? Let us help you with the music.

Howl you doing boys and girls? What's up, my witches?

Spooky season is drawing nearer, and with Halloween falling on a Thursday this year, it means that there is only one weekend to curate a spooktacular party playlist, and one opportunity to throw a fa-boo-lous Halloween party. It is no easy task, but if you want your guests to shake their BOOty, eat, drink, and be scary all night long, Popdust has just the playlist that will give your friends pumpkin' to talk about.

Itsy Bitsy Spider by Carly Simon

Have you ever heard such an elegant and moving interpretation of this spooky nursery rhyme? In this version, I wasn't rooting for the rain to "wash the spider out"; instead, Simon's mash up of the nursery rhyme with her hit "Comin Around Again" paints a darker picture. "I know nothing stays the same, but if you're willing to play the game, it's coming around again," Simon sings. The Spider's journey is a complex one: He is tenacious in his dream of scaling the water spout and is an inspiration to us all. "Nothing stays the same," little Spider, keep climbing. One day, you may just turn your dream into a reality. It's a reminder of our mortality and serves as the perfect song to kick off the night as your guests eat hors d'oeuvres and pour their first cup of spiked punch.

Follow the playlist on Spotify!

MUSIC

Pitchfork's Top 200 Songs of the 2010s Actually Gave Me Hope

Kendrick Lamar tops Pitchfork's pleasantly surprising list of the top 200 songs of the 2010s.

I dipped into Pitchfork's list of the top songs of the 2010s tentatively, not knowing what to expect.

Considering the sheer amount of music released in the past decade, there's simply no way one could ever hope to listen to it all, let alone compare it. Also, music rankings are inherently subjective, entirely reliant on the opinions of those curating the list and their respective definitions of what makes "great" art.

Don't get me wrong—the Pitchfork list has issues. First off, it essentially consists of popular American music. You won't find too many deep cuts here, nor many country, K-pop, classical, or non-English-language tracks. If you're someone who "dislikes pop," you might as well leave. Also, some of the blurbs are very odd. "Hotline Bling" is described as a "human centipede of modern music," which is a unique metaphor—I'll give them that—and apparently Lorde "[dissects] love like it's a frog in science class." Justin Bieber's "Sorry" is somehow painted as a track that asks for redemption in an era of #BlackLivesMatter protests. A lot of the writing is beautiful, though, and we get phrases like, "Pop songs, trends, and life itself are a constant cycle of death and rebirth" (in reference to Ariel Pink) to balance out the other stuff.

In terms of the song choices, I like and respect Grimes, but I'm not sure "Oblivion" deserves its number two slot. There are countless glaring omissions, with innovators like Lady Gaga, Mariah Carey, Donald Glover, and Sufjan Stevens notably absent (though Gaga and Stevens appeared on Pitchfork's equally solid best albums of the 2010s list). Also, "The Louvre" is objectively not the best song on Melodrama.

Even so, scrolling through the list made me remember that a lot of fantastic music has been released this decade, and a lot of creative visionaries have come out of the woodwork, selectively utilizing new technologies to create ambitious works of art. Plus, in contrast to the vast majority of best-songs-of-all-time lists, a lot of these songs are by women and people of color. Yes, there's still inequality in the music industry, but music has never been more diverse, both sonically and demographically.

The list is evidence that the concept of listening to one genre or disliking music just because it's pop has been steadily dying over the past decade. In today's world, pop hits like Carly Rae Jepsen's "Run Away With Me" and Robyn's "Dancing On My Own" exist comfortably next to indie powerhouse ballads like Mitski's "Your Best American Girl" and ANOHNI's "Drone Bomb Me," and rap and ambient and metal all appear on the same playlists. The kind of pretentiousness that discredited pop music in the past is largely disappearing, and in its own respect, pop is getting more daring, more willing to experiment and pull from other genres.

Carly Rae Jepsen - Run Away With Mewww.youtube.com

Mitski - Your Best American Girl (Official Video)www.youtube.com

You could analyze the list forever on this kind of macroscopic level, but music is never only collective or political; it always has a microscopic, personal dimension. Personally, as I scrolled through the list from the bottom to the top, I began to feel something that I don't usually feel while on the Internet. The list was strangely heartwarming. It brought back good memories. Many of the songs on it are extremely special to me, intertwined with specific places, people, and emotions.

For example, Sampha's breathtaking ballad "No One Knows Me (Like the Piano)" took me right back to a time I got lost on a bus in Queens and ended up listening to that song as a woman delivered a sermon from the seat across me while rain poured down around us. The Kanye selections are particularly wrenching; "Runaway" is eternally powerful, "Ultralight Beam" sparks several memories immediately—driving over a bridge under a purple sunset, or another time, astronomically high in the woods, blasting the song from speakers and clinging to every note. "Queen" by Perfume Genius made my jaw drop the first time I heard it. Listening to "Mary" by Big Thief is always a religious experience. SZA, Tyler the Creator, the National, Vampire Weekend, Chance the Rapper—they've all held special places in my heart and life over the years. They're as real and significant to me as any friend, and I doubt I'm alone in that.

Perfume Genius - 'Queen' (Official Video)www.youtube.com

Reading through the list made me remember that while the world may be incredibly chaotic and painful to exist in, there's so much good music to soundtrack our journey through this brief and absurd life. The 2010's gave us revolutionary opuses like Kendrick Lamar's DAMN. and "Pa'lante" by Hurray for the Riff Raff. It gave us Frank Ocean's mystical, effervescent Blond, which I must give thanks for roughly once per week. It gave us Katy Perry's early exquisite pop and Courtney Barnett's dry ramblings and the soft electricity of Yaeji, whose "Drink I'm Sippin On" soundtracked so many of my night walks around the city.

Hurray For The Riff Raff - Pa'lante (Official Video)www.youtube.com

It gave us ample drama and good stories, too—there was the gleeful spite of "thank u, next," and the thrill of watching Cardi B rise with "Bodak Yellow," Miley's chaotic metamorphosis and Solange's ascendance. The 2010s took David Bowie and Lil Peep. It gave us unforgettable images, Bon Iver and his mythological cabin and FKA Twigs' surrealist masterpiece "Cellophane," images that connected to us on personal levels and bind us together across space and time.

FKA twigs - Cellophanewww.youtube.com

I think that the best kind of music is taps into something much bigger than us, like a collective unconscious, something that extends way beyond the reach of one person. In order to make it, and to make any kind of art that can reach others on a profound level, you have to let go of the limitations of your singular self. That's what so many of these songs do—they tell individual stories, but they also channel something greater, and bring us together on a higher plane.

In many ways, I suspect that the 2020s will be even more full of change and tumult than the 2010s were. But I have complete faith that, when 2029 rolls around, there will be another Pitchfork list of songs that tap into the deepest emotions and most powerful connections we have. And maybe sometimes, the songs that help us personally are what give us the strength to engage with the world on a larger scale and speak truth to power. Maybe our greatest songs are the ones that, like Kendrick Lamar's "Alright," give us the strength to go on.

Kendrick Lamar - Alrightwww.youtube.com


BEYONCE

Photo by A.RICARDO (Shutterstock)

This was a year of change and tumult, but if anything has remained consistent through it all, it's been Beyoncé's greatness.

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New Releases

Nicki Minaj Plays It Safe with “MEGATRON”

Nicki Minaj is a voracious rapper on any song, but she hasn't been able to put out anything innovative or captivating since 2014's The Pinkprint.

Nicki Minaj is throwing her hat into the ring for the song of the summer— and if her Barbz have anything to say about it, it's a big contender.

On "Megatron," Minaj stays in her element with an airy vibe. The Caribbean-inspired beat highlights the rapper's clever lyricism and bitey flow. Her first single post-Queen, "Megatron" validates that Minaj has already proven her abilities as a singular rapper. However, despite her skills, the "Queen of Rap" is still struggling to maintain relevance and reinvent the wheel.

The seductive, glossy video for "Megatron" is reminiscent of the bootylicious jungle in "Anaconda"—but the song, while great, demonstrates that Minaj hasn't progressed much as an artist since then. "Megatron" could've been released in 2015; if it had been, Minaj would've seemed edgy and ahead of her time. Unfortunately, nowadays, island-inspired, hip-swaying music has been overdone in popular music ever since Rihanna's "Work."

Still, the music video incorporates all of today's popular elements of futuristic, colorful, and inviting visuals. The video successfully adds to the playful, seductive energy of "Megatron." It perfectly captures how Minaj wants to be perceived, regardless of how unchanged and outdated her public image becomes.

Nicki Minaj may be in a realm of her own when it comes to her sound and style, as she's cultivated a voice that's instantly recognizable and sharp. Even though she comes packing with ingenious wordplay, a unique flow, and entertaining production, she hasn't been able to deliver anything as inspiring and cohesive as 2014's The Pinkprint. Yet, there's no doubt people will be bumping to the loose, sexy "Megatron" this summer, and maybe that's just what she needs to launch a second wave of relevance.