FILM

"Paul Blart: Mall Cop" Perfectly Captures the Capitalist Hellscape of Black Friday

Paul Blart: Mall Cop is the greatest Thanksgiving/Black Friday movie of all time.

Columbia Pictures

Thanksgiving is okay, but let's be honest, the day after Thanksgiving is so much better.

While Thanksgiving is all about eating poorly seasoned turkey and fuming at your boomer dad who won't stop whining about "illegals" (and failing to grasp the irony of doing so on a day celebrating the genocide of indigenous people at the hands of white, European colonialists), the day after Thanksgiving is all about the movie Paul Blart: Mall Cop.

Paul Blart: Mall Cop - watch the trailerwww.youtube.com

Don't be fooled by the janky trailer that seems like someone edited out a laugh track. In stark contrast to its Tomatometer score of 33%, Paul Blart: Mall Cop is inarguably one of the greatest crowning achievements of American cinema. No, I'm not joking.

Paul Blart: Mall Cop tells the story of one Paul Blart, an obese New Jersey man who wants to be a cop but can't pass the physical fitness test because of said obesity. So instead, Paul Blart becomes a mall cop who takes his job way too seriously. Lucky for him, on the night of Black Friday (that's the day after Thanksgiving!), a group of thugs decide to pull a mall heist (no, that doesn't make sense), and it's up to Paul as a low-wage mall employee to save capitalism as we know it.

If you've never bothered watching an Oscar-winning drama, you might be shocked by the ferocity with which Kevin James (who also co-wrote the movie) approaches the role of Paul Blart. Take this scene, for instance, wherein Blart accidentally drinks an entire pitcher of margarita and then assaults a lot of people in a restaurant. When Blart shoves pineapple into a man's mouth and then climbs on a booth to grab another man's head before hurling the restaurant's old, hired singer offstage, Kevin James transcends traditional physical comedy. This isn't just your typical goofy bumblef*ck bumbling around. You can see a dark fire in Paul Blart's eyes and a latent rage bubbling just beneath his squishy surface.

Paul Blart: Mall Cop (2009) - Getting Wasted Scene (2/10) | Movieclipswww.youtube.com

The darkness of Paul Blart has not gone unnoticed by fans, with some comparing the Paul Blart franchise (there is also a Paul Blart: Mall Cop 2) to the incredibly depressing Japanese masterpiece, Neon Genesis Evangelion––an anime about children growing up in the remains of an apocalyptic, technologically advanced future. Considering Blart's violent fury coupled with his attachment to his segway, the Evangelion comparisons practically write themselves.

Paul Blart Evangelionr/evangelion

Just look at how well Paul Blart fits into the Evangelion intro.

But Paul Blart: Mall Cop isn't just another Evangelion rip-off. Whereas Evangelion approaches its dark subject matter through a distinctly Japanese lens, Paul Blart is patently American.

The true horror of Paul Blart: Mall Cop is that the apocalyptic hellscape he resides in is, in reality, just the current state of American capitalism and consumer culture. The movie's metaphorical precision is laser-sharp, and it's no mistake that Blart––a low-skill, low-wage mall employee tasked with saving a capitalist structure from which he does not benefit––faces both his greatest triumph and his greatest sadness on Black Friday––a day dedicated to sales. It is as if the movie is shouting at us: "Don't you sheep see that this is all a sham? Don't you realize that, like Blart, we've been tricked into tying our very identities to consumer capitalism?" In this light, Blart's rage is the quiet rage of the American underclass, working so hard to protect a system that doesn't protect them. His outbursts are the protests of the people, and his eventual defeat of the thugs is the sad, ultimate complacence that seems to overcome us at the end of the day.

After all, we still need to eat, right? Then, once we're full, we're primed to go out and spend money again. Rage, eat, spend, repeat. That's the true capitalist spirit of Thanksgiving and Black Friday, and no movie better reflects this reality than Paul Blart: Mall Cop.

MUSIC

Grimes' New Song Connects Assault on Women and Assault on the Earth

The single, "So Heavy I Fell Through the Earth," comes in two forms.

Grimes

Grimes has finally released the first single from her forthcoming album, Miss Anthropocene, due February 2020.

The single, "So Heavy I Fell Through the Earth," comes in two forms: a six-minute "Art Mix" and a four-minute "Algorithm Mix," the latter more radio-ready, the former more expansive and dreamlike.

In March 2019, she told Pitchforkthat her next album, Miss Anthropocene, was going to be "a concept album about the anthropomorphic goddess of climate Change." Each song, she said, would be "a different embodiment of human extinction as depicted through a Pop star Demonology."

NME.com

It's not exactly clear what form of apocalypse "So Heavy I Fell Through the Earth" describes, though it does appear to be about some kind of assault. "Oh, silly love," she sings. "Coming here / when I say go." Back in April, she told The Faderthat the song is about "when a dude comes inside you, you become in their thrall—how it's an attack on your feminist freedom."

Below all the layers of synth and abstraction, it does seem like the single is critiquing patriarchal abuse of women. In light of her description of the album's overall theme, it could also be a critique of mankind's aggression towards the Earth.

These two impulses—man's impulse to dominate women and humankind's insistence on dominating the planet—are, in some ways, quite related. They're also connected (though certainly not equivalent) to white people's habit of colonizing, enslaving, and dominating the rest of the planet, and on capitalism's insistence on building up a select few on top of the bodies of others.

Humans, particularly those in positions of power, have always dominated others, at terrible costs, in order to maintain their status. Today, that tendency threatens to destroy the world. Perhaps, by connecting various forms of oppression and embodying Earth's and humanity's growing frustration with them, Grimes is tapping into a truly revolutionary sentiment. Time will tell if it's enough to cut through the haze.

Grimes - So Heavy I Fell Through the Earth (Visualizer)www.youtube.com

MUSIC

TWINKIDS Releases New Breakup Track "I Luv You"

The queer pop duo's latest single, off their upcoming EP Lizard House, is a gorgeous and '80s-inflected missive to heartbreak and moving on after a relationship's end.

Ivan Dario

TWINKIDS drums up even more anticipation for their upcoming EP with "I Luv You," a gorgeous synth headtrip.

The queer pop duo, composed of Gene Fukui and Matt Young, are following up their 2017 debut project, Boys Love, with Lizard House, out November 22nd and heralded by the first single "Eighteen," a dreamy '80s ode drenched in teenage nostalgia. "I Luv You" feels similar, in the way it pulls from a Genesis-esque tribute to queer love, but TWINKIDS' new offering is a breakup track, slipping between heartbreak and healing between verses, sometimes even between seconds.

"Even with my brand-new friend / I think about you every day," Fukui admits over the chorus, a symphony of echoing vocals and soaring production. "I Luv You" expresses the hardship of seeing someone you love after the relationship's ended, as both of you are still trying to move on. The crashing drums under the sumptuous keys feel honest; the song isn't bitter or angry, just sad. TWINKIDS' latest does its best to capture the leftovers of love, the sweet memories and the feeling of loss all wrapped up in one track. "I Luv You" leaves room for both pain and love and shows TWINKIDS operating at their exuberant queer pop best.