The Popdust Weekend Playlist
Posted by Newson 12/17/2011 at 2:29 PM
The Popdust Files: weekend playlist
We’re going to do something a little different for our weekend playlist. As long-term readers have no doubt noticed, over the month we counted down our 10 Artists of the Year–people who’ve had the best overall showing in 2011, starting with Rick Ross and ending with Katy Perry. We’ve recapped all their years for you, but there’s only so much you can do in one feature. Consider this a supplement: one track for each.
* Must be from 2011 (or might-as-well-be-2011). We’ve all got our back-catalog favorites, but the year’s end is not the time for those.
* Must not be overplayed as hell. You might chime in and say some of these tracks are overplayed for you, but they’re not for us.
That’s all the ado! Be sure to check out our full artist lists to see what we’re purposefully leaving out. ow then, for No. 1 on our list and on this playlist:
1. KATY PERRY, “CIRCLE THE DRAIN”
This pop-rock track with far more edge than what you imagine of Katy Perry’s image is tied with “Teenage Dream” for track most likely to make someone say “that’s a Katy Perry song?” (Travie McCoy said something to that effect, at least.) It’s probably the best thing on Teenage Dream, somehow not a single–for someone as hell-bent on setting singles records as Perry, it’s astonishing that this hasn’t gotten released.
2. ADELE, “RUMOUR HAS IT”
The last line. The laugh at the end of that. The spooky background vocals and the percussion, but mostly that last line. We’re going to keep talking about this song until it’s a single and we don’t have to.
3. LADY GAGA, “ELECTRIC CHAPEL”
The thing about Born This Way everyone misses but the people who actually take it to heart is how well Lady Gaga when she’s not talking about unicorns or whiskey-soaked boots or other Gaga-isms, captures teenage emotions. “You want me bad, I think you’re cool, but I’m not sure” is something at least a thousand people have probably said verbatim, and even those who haven’t probably have, at some point, grappled with how to carve out safety in relationships, The track sounds great, too, softening the album’s glam-rock referents to a dull choral haze and a restrained electric guitar solo, along with which Gaga essentially does the same thing Beyonce does on “I Care,” just as well but to less writing. “Scheisse” might say more, “Government Hooker” might be creepier, and “Marry the Night” is just better, but “Electric Chapel” is probably the best introductory track.
4. DRAKE, “THE RIDE”
Doesn’t close Take Care so much as let it drift to a gentle end. On this playlist, it’s an interlude–and a damn good one; say what you will about Drake, his persona and his omnipresence this year, but it’s hard to deny that Take Care is not just among 2011′s best-sounding albums but will probably be a sonic template for R&B in 2012. Drake’s and otherwise.
5. RIHANNA, “WHERE HAVE YOU BEEN”
Like “Rumour Has It,” this is one of those “this fantastic song is going to be the single in 2012, so enjoy it now before it’s overplayed and lord your foreknowledge over your friends. Whether you think Rihanna’s pace is laudable or scary, you can’t call “Where Have You Been” a rush job. The track’s perfectly constructed– and yes, “perfectly constructed” means “perfectly constructed to the dance template,” but notice, for instance, how it kicks into gear on “crowd”–just when the real-world crowd would get moving.
For tracks from Artists of the Year No. 6-10, including Justin Bieber and Nicki Minaj, click NEXT.
Check Us Out On
Login to receive the latest pop music news and exclusive offers from Popdust!
The students become the masters!
Paris Hilton is about to reignite her pop career and start DJing again. You've been warned.
Hyori once again proves why she's the Queen of K-pop.
The boy band with the bad engrish and amazing electro-pop is back.
And Usher and Shakira are barely hanging on...
There's just something about Demi.
Or she bumped heads with Katy Perry.
We give the Robots' latest opus a song-by-song breakdown, separating the filler from the future dancefloor classics.
An interstellar transmission appropriately closes out Daft Punk's fourth LP.
An unexpectedly awesome collaboration with psychedelic rock hero Panda Bear provides an album highlight.
Steely Dan meets Phoenix on this uncharacteristic Todd Edwards collaboration.
A cinematic end to the second act of "Random Access Memories."
Lil' Biggie is cute in a biggie way.
A sweeping intro and a familiar bass line, but not much else to this "Random Access Memories" ballad.
The Daft Punk and Pharrell song you already know and love.